Our debut CD 'Ayres and Graces' is on the BIS label. It is the previously unrecorded music of Christopher Simpson's Airs for two treble and two bass viols, with Dan Tidhar playing chamber organ and harpsichord, and Jamie Akers on theorbo and guitar, and was recorded in the chapel of Girton College, Cambridge. You can hear extracts here.
Click here to read the whole of Brian Wilson's review.
Andrew McGregor of BBC Radio 3's CD Review on the B flat major pavan:
Christopher Simpson (1602 / 06 – 1669) was a well respected theorist and viol player. His theoretical treatise 'A Compendium of Practical Musick in 5 parts, teaching by a New, and easie Method' was first published in 1665. John Jenkins refers to the book as ‘your excellent compendium’ and calls it ‘so ingenious a work’. Later, Purcell in his The Art of Descant refers to Simpson’s Compendium as ‘the most ingenius book I e’er met with upon this subject’. Simpson’s best known work is his treatise The Division Viol, first published in 1659. The second edition appeared in 1665 and was divided into 3 parts, Part III is the longest
part of the book, and is the largest English division treatise in existence. Simpson’s guide is detailed, comprehensive, and very easy to follow, and it contains the solo music for which he is perhaps best known.
Simpson wrote twenty four-part airs for two trebles and two bass instruments with
continuo accompaniment. They were written at a time when this music was fashionable, William Lawes writing the Royall Consorts in the 1630s, and John Jenkins thirty-two airs composed between 1630-50. Simpson’s four-part output is not extensive when compared to his contemporaries, and is certainly not often heard today.
This Chelys Consort viol sound is so rich...a perfect combination of their natural plangent melancholy and a B flat brightness - Andrew McGregor, Radio 3
I found them so convincing that I doubt whether these fresh and appealing interpretations could be bettered - Brian Wilson, MusicWeb International