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‘Played with passion, precision and brilliance’ Early Music Review


Recently described by Gramophone as having released 'unquestionably the most beautiful recording of the Lachrimae', Chelys have garnered a reputation for their faithful yet fresh interpretations of the consort repertoire. They take their name from an ancient Greek word which referred to a bowed lyre, said to have been invented by the god Hermes. The word was borrowed by renowned English violist Christopher Simpson on the title page of his treatise 'The Division Viol' when he translated the work into Latin. It is perhaps particularly apt then that the group’s debut CD was the world premiere recording of Simpson's Airs for two trebles and two basses, a disc enthusiastically reviewed by early music publications and wider classical reviewers alike, including four stars in the Guardian.


The members of Chelys are leading exponents of the viol, particularly as a consort instrument, and their consort viols are strung entirely in gut (not strings overwound with metal) which lends a particularly distinctive sound to the group. They frequently collaborate with other period instrumentalists and singers, particularly enjoying repertoire for voices and viols, and have also had music written for them by award winning composer Jill Jarman.


The members of Chelys are well known in the wider Early Music world, playing with ensembles including the Rose Consort of Viols, Fretwork, and the OAE. They are also keen teachers and can be found on courses around the UK and abroad, including the Benslow Trust, NORVIS, Dartington, the Irish Recorder and Viol Summer School, the Easter Early Music Course, and coaching viol consorts at the Royal College of Music and Oxford University. They have played at all the major UK Early Music Festivals, including York, Brighton, and Blackheath, appeared recently with Emma Kirkby at the Wigmore Hall, and are frequent guests on BBC Radio 3's In Tune.

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