Chelys Consort of Viols
Described by Gramophone as having released 'unquestionably the most beautiful recording of the Lachrimae', Chelys have garnered a reputation for their faithful yet fresh interpretations of the consort repertoire. They take their name from an ancient Greek word which referred to a bowed lyre, said to have been invented by the god Hermes. The word was borrowed by the English violist Christopher Simpson on the title page of his treatise 'The Division Viol' when he translated the work into Latin. Perhaps this is what inspired their world premiere recording of Simpson's Airs for two trebles and two basses, a disc described as ‘wonderfully supple, propulsive and alive’ by the Guardian.
The members of Chelys are among the UK’s leading exponents of the viol, particularly as a consort instrument, and their consort viols are strung entirely in gut (not strings overwound with metal), which lends them a particularly distinctive sound. They frequently collaborate with other period instrumentalists and singers, particularly enjoying repertoire for voices and viols. A recent highlight has been a project with vocal consort Fieri, performing and recording the complete 5-part viol fantasias of Michael East alongside some of East’s compositions for voices and viols. The two ensembles also commissioned a piece from award winning composer Jill Jarman, to celebrate writing for voices and viols 400 years after East published his pieces. Chelys were delighted to join Dame Emma Kirkby for her 70th birthday celebration concert at the Wigmore Hall last year, and their performances and recording of Dowland with Emma and lutenist Jamie Akers have been beautifully melancholic!
The consort record for the BIS label. Most recently they have been performing and recording the music of Henry Purcell, some of the latest, and many would say best music written for the viol consort. Their discs have received considerable critical acclaim, being praised by BBC Music Magazine for their 'light as gossamer' sound, and the Guardian as being 'wonderfully supple, propulsive, and alive'.
The members of Chelys can be found in all sorts of other places in the wider Early Music world: playing with ensembles such as the Rose Consort of Viols, Fretwork, Musica Secreta and Ceruleo, teaching on courses including the Benslow Trust, NORVIS, Dartington, the Irish Recorder and Viol Summer School, the Easter Early Music Course, and coaching viol consorts at the Royal College of Music and Oxford University.
The members of Chelys are among the UK’s leading exponents of the viol, particularly as a consort instrument, and their consort viols are strung entirely in gut (not strings overwound with metal), which lends them a particularly distinctive sound. They frequently collaborate with other period instrumentalists and singers, particularly enjoying repertoire for voices and viols. A recent highlight has been a project with vocal consort Fieri, performing and recording the complete 5-part viol fantasias of Michael East alongside some of East’s compositions for voices and viols. The two ensembles also commissioned a piece from award winning composer Jill Jarman, to celebrate writing for voices and viols 400 years after East published his pieces. Chelys were delighted to join Dame Emma Kirkby for her 70th birthday celebration concert at the Wigmore Hall last year, and their performances and recording of Dowland with Emma and lutenist Jamie Akers have been beautifully melancholic!
The consort record for the BIS label. Most recently they have been performing and recording the music of Henry Purcell, some of the latest, and many would say best music written for the viol consort. Their discs have received considerable critical acclaim, being praised by BBC Music Magazine for their 'light as gossamer' sound, and the Guardian as being 'wonderfully supple, propulsive, and alive'.
The members of Chelys can be found in all sorts of other places in the wider Early Music world: playing with ensembles such as the Rose Consort of Viols, Fretwork, Musica Secreta and Ceruleo, teaching on courses including the Benslow Trust, NORVIS, Dartington, the Irish Recorder and Viol Summer School, the Easter Early Music Course, and coaching viol consorts at the Royal College of Music and Oxford University.
